Taking things from sparse melody to crescendo is no small feat for a three-piece, especially in a live atmosphere. The multi-instrumentation of each member provides for a faithful translation of the depth and intricacy of the recorded material in front of an audience, which is greatly responsible for their growing reputation.
Athalia includes former members of Strictly Ballroom, Meow Meow, and Arca along with current members of Dntel, Frankel, and The Minor Canon.
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Athalia are a power trio from Southern California with one foot in college rock and the other leaping heavenward. Many pieces begin in Death Cab territory (e.g. ‘The Great Tranquilizer’) with light, harmonic vocals and breezy melodies before cranking up to something heavier. I wouldn’t call these leanings post-rock for reasons that I’ll come to in a moment but there’s complexity here, and passion. Guitars are to the fore, reverberated and delayed but never to shoegazing extents. Bass is warm and comforting while the vocal rides the music with the assurance of a champion jockey.
This is rock, first and foremost. Rock instruments in a rock setting cannot be post-rock. And yet there is something in the structure that keeps that ‘post’ word nagging away in the back of the mind. The complexity I mentioned might push this towards progressive but at the end of the day these tracks are more ‘song’ than ‘composition’ based. In any case, I always kinda like it when you can’t easily pigeonhole a band. Makes for something more interesting. ‘The Art Of Gunfighting’ even brings Red House Painters to mind with its sparse acoustics and almost military drum rolls.
Whatever Athalia are doing they seem to be doing it right. This eponymous debut album is a fine listen from start to finish. Don’t think for a second that the volumes and crescendos hinted at are the product of any lack of subtlety. Far from it. This is an album that rewards repeated visits, and one that fans of PAIK or Appleseed Cast might be very pleased to add this to their collection.